TAPEMACHINE

build in 1988
to create live sound collages

8 tapeplayer
individuel volume controll
individuel speed controll
sound ON-OFF buttons to allow immediate sound

approx.  200 tapes

This instrument is used ainly in cooperation withClaus van Bebber.

van Bebber / Lemke
TAPES & VINYL

The Duo van  Bebber / Lemke started in 1986 after Claus van Bebber and Helmut Lemke had met  in the artists group ‘Heinrich Mucken’  which they cofounded in 1982.
From the beginning CvB and HL tried to combine their experiences in improvised music  with the sounds of everydays life. So it was just natural that their first  equipment not only consisted of their respective ‘traditional’ instruments  (Claus van Bebber percussion and Helmut Lemke  woodwind instruments) but included a wide variety of sound generating tools like toys, houshold stuff, water, peas etc..
Just before they started their collaboration Claus van Bebber had started to work with prepared records and turntables while Helmut  Lemke had build his 8 Tape-player desk and used his wide collection of sounds on more than 200 tapes.
All this instruments were used in concerts to  create collages of sounds which could build huge walls of sounds as well as  fragile, subtle cycles of sound.
This stage of their collaboration is documented on the LP ‘van Bebber/Lemke’ released on edition el C. elc 12001 in 1989.
After that Claus van Bebber and Helmut Lemke concentrated more and more  on the use of just records and tapes.
This instruments became also the focus of  their respective solo concerts.
After a period from Jan 1996 to Oct. 2000  when Helmut lived and worked in Sheffield / GB and in which their collaboration  was reduced to occassional concerts in Germany and other countries of the European Mainland they revitalse their duo-work in 2001.
It is now that their longtime experiences with the respective instruments (records / tapes) in solo concerts as well as their longstanding co-operation with each other results in  soundwork which prooves their great mutual understanding and leads to astonishing music.

Besides following their own carreers in improvised music Claus van Bebber and Helmut Lemke both have a history of sound installation in the  visual art world with a record of exhibitions in Museums and Galleries in Europe  and foreign countries.

Their work is widely documented mainly on the Nur/Nicht/Nur  label and on the label edition el C.  both based  Germany.: